Jackson Heights Life

Hi Linda.
I don't know if my reply to your request reached you or not. so I'll say again that I would be happy to
be interviewed.  I was born in Jackson Heights in 1942 and lived there until 1977. My posts to this site are under the name "Nagelberg". - JHS 145's first Principal. Best, John

He has been called one of the most influential music producers in history. He arranged music for or produced Peter Paul and Mary, John Denver, the Chad Mitchel Trio, and The Brothers Four.  He was responsible for a huge string of hits in the 50s, 60s and 70s...but in 1955 he was a music teacher at JHS 145.  His name is Milton (Milt) Okun and I rember him as a very nice man in a plaid shirt and horn rim glasses who played guitar for us and told us about his new record of sea chanties: Every Inch a Sailor.   Does anybody remember Mr. Okun ?

“Someday I’m going to write a book about this place and call it ‘The Yard.’”   So spoke my friend, Sid Daniels, talking about the P.S. 69 schoolyard in Jackson Heights, Queens.  He said it over fifty years ago, and since no book on the subject has materialized, I’ll pinch hit for old Sid, wherever he may be.

In the 1950s, the P.S. 69 schoolyard was an after-school oasis for kids who wanted to recreate, or socialize, or just hang out. This was before it was covered with asphalt to make it a safer place to play.  We played on rock hard concrete peppered with pebbles that glittered like diamonds in the sun.  Cuts, scrapes, and contusions that simply came with the territory.

The Yard was a chain-link sanctuary that was open 24 hours a day. It had courts for handball and basketball, a brick wall for stickball, and just enough space for cramped, urban versions of baseball, softball, and touch football.  Grownups rarely set foot in the Yard.  One exception I can remember was a hoopster named Polachek who was there for so many years he outlasted every kid who played him for quarters, grew up, and moved on. 

Then there was Joe the Cop.  I never found out if he was a real cop or not, but I tend to doubt it given his fondness for playing poker with 
juveniles.

Left to our own devices, we found plenty to do in the old schoolyard. We played Chinese and American handball and box ball with pink rubber balls called “Spauldeens,” a corruption of “Spaulding.”   

Stickball was big, too. You stood in front of  a wall and swung a broomstick wrapped with  black electricians tape and, if you really connected, the ball made an arc that seemed to double back on itself and was a beautiful sight to behold.

We flipped baseball cards, read comic books, and rode bikes that clattered and buzzed with playing cards stuck in their spokes.  In the summer we bought ash cans, cherry bombs, and lady fingers from older, harder kids who weren’t afraid to stock up on illegal fireworks in Chinatown and Little Italy.
Moe & Archie’s provided sustenance. Fifteen cents bought you a giant pretzel and a bottle of Mission soda. 

There could be so much going on in the Yard that you had to constantly be on the lookout for people and objects in motion.  On a busy Saturday the Yard could look like a modern version of Peter Breughel’s Flemish Renaissance masterpiece called “Children’s Games,” a painting crammed with Flemish Renaissance children entirely absorbed in their games and pastimes.

Despite the high volume of kids the Yard supported, we coexisted in a way that would have made Rodney King proud.  The hoodlums (we called them “rocks”) occupied the steps near the basketball court at the northeast corner of the Yard.  Basically they just sat their smoking cigarettes and looking sour.  My friends and I lolled around by the handball court to the southwest of the Yard -- and never the twain did meet. . . except once, one summer night. . . when a confrontation did occur and we discovered to our great satisfaction that the rocks weren’t as hard, and we weren’t as soft, as we thought we were.

Where are they all now I wonder?  The jocks like tall Paul Wladzarck who smacked into a pole going out for the pass and wound up in the hospital.
Fellow handball players Nick Carter, Bill Baglive, and Doc Simpson, and a guy named Milo who could beat us all.  Big Aaron, at one time the only African-American who played in the Yard.  Assorted tough guys: Donny LaRosa, Buster, Kevin Young and the Rubino brothers.  And the kids who lived across the street:  my friend Mike Tate who graduated Bronx Science High School at fifteen; curly headed Dennis Malpedi; Leo Gaumont who joined the Navy, and Michael Steinfeld who played the Cello. 

Memory comprehends them, and myself as well.  For some persistent reason my thoughts will drift back to a fine Spring evening when it‘s still light out at seven o’clock , and privet blossoms scent the air, and I climb a low brick wall and look out across the Yard and there it all is -- that Breughel painting! 

It’s April.  I‘m twelve again.  And everything lies ahead. 

Hi Leo,
 I remember you and your father well.  He was a great cook.  You lived across from the PS 69 schoolyard next door to our mutual friend, Mike T.  You joined the navy and that's the last I saw of you. I'll drop you an email; it will be great to be in touch with you again.
Your Pal,
Nagelberg

Absolutely right. Mary was his mother and I remember her on stage at the Boulevard conducting one of the children's programs. Do you still live in the Chateau?  I had many friends who lived there, and I thought it was the most elegant building in Jackson Heights.  What years did you attend Garden, if I may ask? Did you know the Johnson and Wiegand sisters, Dede Thompson, Tommy Rigg and Gary Nelson?

Anyone out there remember my old pal, "Gruff"?  That wasn't his name, of course, but we called him that because he was loud and overbearing.  Fortunately, he had a great voice, an announcer's voice, so we listened to his bad jokes and goofy sayings without too much difficulty.  "Gruff" passed away several years ago, and I was saddened to find no mention of it anywhere--hence this posting.  His real name was Richard, and back when we were teenagers, the girls called him Uncle Dickie.  His claim to fame? Except for a stint in the Army and time away at Boston College, he lived for most of his 69 years in Jackson Heights.  He grew up in Hampton Court, got married and raised two kids in the Towers, and then moved back to Hampton Court until the end. Dick and I were part of a circle of friends who enjoyed the best of times in Jackson Heights in the late 50s and early 60s.  We hung out in the P.S. 69 school yard and, frequented Maxel's, Harry Martin's, and The Rendezvous. We got to see all of the horror and science fiction films you could ever imagine at the Jackson and the Boulevard theaters , and we bounced back and forth between St Mark's and Community churches on the eternal quest for girls. On Saturday nights we danced to The Drifters and listened to the Kingston Trio at friends apartments in the Chateau.
In addition to Gruff, our crowd included guys named Rod, John, Charlie B., Tommy, Chas. and Garry (also known as Rippy). The girls were sisters Ann and Linda, Barbara and Erika, Inky, Lotte and sharp-witted Dede. We patronized Toddle House, Jahns, The White Castle on 69th Street and, when Herc from Astoria supplied the wheels, we'd visit Kiddie City and Fairyland.  To pay for it all I delivered liquor for Kurt Gugenheimer's 82nd Street Wines and Liquors and worked at a factory called Flour Mix. Dick had a summer job as a landscaper and helped keep the neighborhood's famous gardens in shape. To be sure, Dick probably saw more of old and new Jackson Heights than just about anyone I could imagine.  If you knew him, your comments would be appreciated.

It was somewhere on Northern Boulevard, I know that much.  It's important because it belongs on the National Register Of Historic Places thanks to the father of the solid body electric guitar, Les Paul.  On January 14, 1951 Paul and wife Mary Ford recorded "How High The Moon" in their home studio at the Two Pigs Meat Market using multitrack recording techniques that Paul had pioneered.
The song became a monster hit and multitracking became the standard approach for recording just about every kind of music thereafter. Rock & Roll, Blues, Jazz, Gospel, Classical, you name it -- there's a little bit of Jackson Heights in all of them.

Milt Okun was a fine teacher who had quite a life after 145. Here's what Wikipedia has to say: "Milt Okun (born 23 December 1923 in Brooklyn, New York) is an American arranger and record producer best known as a member of The Belafonte Folk Singers with Harry Belafonte.

Okun also recorded several albums of his own in the 1960s. Has made arrangements or produced for a large number of well-known artists such as Peter Paul and Mary, The Chad Mitchell Trio, The Brothers Four, and John Denver. In 1968 he interviewed many American folksingers and published the songs they chose in Something to Sing About! (New York: Macmillan Company)."

As far as I know he is still going strong.